This Place, That One, The Other

by Treebait Consortium

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1.
co-op2 02:00
2.
Supposed 03:15
3.
ə 03:00
If you could will it All that you have It's hard enough to steady yourself All of the good things That you're sure you have Drifting in violence Knocked against the ground It's heavy and it's concrete Thoughts come flying out From under the rug If you could of willed it What you would of had Is nothing more than all that is enough If you could of willed it What you would of had Is nothing more than all that is enough All of the bad days Cannot get enough It's hard enough when the weather's good If you could of willed it All that you'd of had All of the sadness as it leaks out Entrenched and sodden Heaving under silt Well every breath it is tough Every breath well it is tough
4.
jadore 01:28
5.
6.
7.
8.
Hanrahan 01:42
9.
10.
11.
NSSI 03:07
There are twine twisting inside All hours of hurt and time Spent, Pent up, wresting vials From whitecoats. Knots you came a-calling Slice, the sewingbox scissors The drifting liquid, that which Gave a moment's place The place you came to The place Shuffled cards, awkwards, grimy Moments grimaced to know There are threads that connect A cord, a chord, a blade that shames gut wrenching Methods and moments drifting The luxury of burnt relief A cable-cord, borrowed release The time it chimes inside The time it chimes inside
12.
Clour DAT 01:47
field recording of cockle and oyster picking, manipulation and assemblage - snailsnail; PO-14 - Charles McDonald
13.
Well you set it out on an autumn day Let's eat out on the terrace Well you set it out for me and my reflection When the sun came through the autumn leaves You came came round and fixed the stone That made me make me break my bones` And under the stone, beetles crawl In the waterlogged land, drifting down between overgrown banks In the waterlogged land, all the thought and memories Take their, take their separate ways, drifting by waterways Separate and murmurate In the waterlogged land What is all and under all, in stacks of papers And under dark, the children's drawings can't Be distinguished from, the tax returns and the benefit forms The clicking of needles, wood moves over bone Inside cold stone with lavender and damp In the waterlogged land, pushing in your hand, feel the microbes a-moving In the waterlogged land
14.
Praise 03:34
There's an open tattoo That's like looking in a hole Looking at what's underneath. What do you know, Well what do you know? It's better, unpreached. An open tattoo, a window in. I'm still full of praise And there's nowhere for the praise to go. Something old and dark, unhinged - The wooden henge, the henge of oak Makes it sad. A territory, a vacant window And a mist which covers Empty land, undisclosed. I'm still full of praise and Nowhere for that praise to go, Bursting at the seams you know. It's bursting out of holes that rip, Holes that can't be closed. An open tattoo, Looks like a wound, Looking in a window. I'm still full of praise you know and I don't know. Quite far away, away from home, When the holy spirit came The congregation in a post-war building, Half the glass replaced, with uncoloured panes Don't you know the upkeep alone. Crippling dismay, A vibration in the bones.
15.
extro 03:52

about

The second album from Treebait Consortium. More glitchy noisy goodness. Now with added Melodica.

credits

released March 23, 2017

all tracks written and assembled by snailsnail


- co-op2: keys and beats - Charles McDonald; vocals - John Barnes

- Supposed: keys - Charles McDonald; vocals, crappy beatbox - John Barnes

- ə: nanoloop, keys and beats, PO-14 - Charles McDonald; claps, vocals - John Barnes

- jadore: OP-1, PO-14, beats - Charles McDonald; pure data - Art Est Fnk

- The Thief and His Lover: melodica, keys, fence, PO-14 - Charles McDonald; vocals - John Barnes; coffee cup & spoon - Maria; field recording - snailsnail; gunshots - random toffs

- Aves Corren La Voz: OP1, drums, keys, nanoloop, ocarina - Charles McDonald; bird song sampled from the vinyl 'Los Pajaros Cantan - Canario Timbrando Espanol'

- Euclid in Love: beats - Charles McDonald; vocals, crappy beatbox - John Barnes

- Hanrahan: beats - Charles McDonald; vocals - John Barnes; european space sounds by Peter Kirn/CDM/ESA, licensed under CC BY-SA

- Who the Files: keys and drums, household percussion, aluminium foil - Charles McDonald; vocals - John Barnes; weird side samples from Johan Ekelove

- patch ADD dress: Melodica, OP-1, Household Percussion - Charles McDonald; vocals - John Barnes

- NSSI: beats, melodica, whetstone, fake cajon, wine glass - Charles McDonald; egg shaker, clicks, claps, vocals - John Barnes

- Clour DAT: field recording of cockle and oyster picking, manipulation and assemblage - snailsnail; PO-14 - Charles McDonald

- From La Brière to La Rochelle: untuned piano - Charles McDonald; vocals - John Barnes

- Praise: keys and beats - Charles McDonald; vocals - John Barnes; pure data - Art Est Fnk

- extro: keys and beats, melodica - Charles McDonald; vocals - John Barnes; field recording of cockle and oyster picking - snailsnail

Artwork by snailsnail with technical assistance from Ben Barnes

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Treebait Consortium Madrid, Spain

Treebait Consortium is mostly snailsnail.

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